Since then she has honed this aesthetic (and if ever an artist had an ‘aesthetic’ it’s her) to the point that it has become both totally unique and frequently self-parodic. A tangible, but entirely fantastical environment that floated somewhere between eras and fashions. One of the first things that struck me about her as an artist when Born To Die came out was how evocatively she created and inhabited a world of her own. Fresh from a spoken word poetry collection that nobody asked for, but somehow seemed the most ‘Lana’ thing ever, Chemtrails Over The Country Club is a beautiful record that should delight fans and infuriate detractors in equal measure.īefore I go any further let’s acknowledge how great that album title is and how succinctly it sums up everything you need to know about the Lanaverse in four words.
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